RSAYS Wedding – Emily & Leigh

The Royal South Australian Yacht Squadron – or abbreviated to RSAYS – was the venue for Emily and Leigh’s wedding on a beautifully sunny day – perfectly suited for such a nautical themed place! I was asked to be their wedding photographer for 3 hours which saw me at Emily’s preparation at a rental house on the foreshore, through to the beginning of their reception within the RSAYS boat house.


I started my coverage with the preparation of Emily and her family getting ready at a rental house on the beach front. The atmosphere was laid back, with the usual run around when there are children involved 🙂 Thankfully there were a lot of people on hand to deal with their shenanigans and everything went very smoothly.

RSAYS Wedding Ceremony

Emily and Leigh’s ceremony took place on the decking in front of the Royal South Australian Yacht Club’s clubhouse as the weather was quite warm and sunny. The idea being that the ceremony could take place in the shade. The guests were easily able to make use of the nearby bar and stay in the shade while we wandered about taking photos.

Glamour Photos

After the ceremony we wasted little time in using the RSAYS marina to take a few photos of the bridal party and newly formed young family walking around the moored yachts, and of course the wonderfully rustic boat house. Emily and Leigh’s reception was to be held within the boat house so it was already set up with tables and chairs – thankfully it wasn’t too hard to move them out the way for a few photos. We also managed to gte a little bit of time along the nearby beach and jetty.

I’d like to thank Emily and Leigh for having me as their wedding photographer and I hope they enjoy their photos!

Recent Sunday Mail Wedding Feature

Occasionally, the a wedding I photograph are given the honor of a Sunday Mail wedding feature – the Sunday Mail is a publication circulated around South Australia affiliated with the Advertiser. It’s a really neat occurrence when one of my weddings are covered by the largest newspaper publication in South Australia, especially when they dedicate 3/4 of a page in their weddings section! The wedding they chose to cover was Sheree and Shane’s wedding at the Glen Ewin Gatehouse which was highlighted by their use of wonderfully white horse and carriage!

Sunday Mail Wedding Feature Excerpt

You never know when a seemingly minor decision will change the course of your life forever. Just ask Sheree and Shane, who met at a 40th birthday party they both nearly didn’t attend. That fateful event was at the Riverland in March 2014, and the couple have been together ever since. They got engaged during a holiday in Hawaii.

“We hired a convertible for the day, a Mustang, and it was the only day it rained,” the bride said, with a laugh. “We went to Turtle Bay and  Shane proposed in front of the beach while the sun was setting.”

The couple held both ceremony and reception for 60 guests at Glen Ewin Estate in Houghton.

“We liked that it was very intimate and the staff were just wonderful,” Sheree said of the popular venue. “We also really liked that everything was there at the one place – and it wasn’t too far from the city – you feel like you’re far away but you’re not really.”

At the ceremony, the bride made a grand entrance with her father on a horse-drawn carriage. “It was such a highlight of the day,” the bride said, adding that the whole event was very family focused.

“Shane’s daughter, Abbie, and my niece, Ava, were my two junior bridesmaids and they did a special dance for us at our reception – that was really special. “They (the kids) just had a ball. By the end of the night their hair was everywhere … it was the cutest thing ever.”

The newlyweds cut a three-tiered cake by Lou-Lou Belle Cakes. Bridesmaid was Sofia Milojkovic and the groom’s daugher Abbie Coles was junior bridesmaid with the bride’s niece, Ava Field. Flower girls were Tori Barr and Asha Armet. Best man was Rebel McCloy, while groomsmen were the bride’s son, Blake Field-Bond, and the groom’s son, Lachlan Coles. Sheree is the daughter of Jim and Maxine Field, of Fullarton. Shane is the son of Gary and Sue Coles, of Redwood Park.

Something old, something new, something borrowed, something blue

‘Something old, something new, something borrowed, something blue’

Have you ever wondered what the meaning and the origin behind the famous bridal poem ‘Something old, something new, something borrowed, something blue’ was? Well as a wedding photographer, I too was intrigued, as I am with any aspect of the wedding tradition and I did a little research. It’s a poem that’s synonymous with modern weddings, it’s a tradition that is still fiercely followed to this day, despite it’s meaning mostly being lost upon many of the brides I’ve talked to about it. If I see a bride getting these items ready, I generally try to take a photo of the set before they are worn for posterity’s sake, so I figured it might be interesting to find out why the tradition exists in the first place.  Turns out the poem is actually simply a rhyming list of varying other traditions that were in place prior to the poem for various different ways to grant good luck to the bride and her marriage.

The poem dates back to Victorian times, and as I wrote earlier, links a number of older traditions that brides adhere to for good luck. All 4 traditions of something old, something new, something borrowed, something blue are purely superstitious in nature with the minor exception that the ‘something blue’ part could relate to the religious colours of the Virgin Mary. However in Victorian times, brides would choose the colour blue to symbolise faithfulness and loyalty, and was actually the preferred colour of wedding dresses at the time, but that’s another story.

Something old

Incorporating something old into a bride’s attire was meant to symbolise her connection to her roots, her family and where she grew up. Carrying this with her into her future so that she may draw from her family’s strength in whatever the future has in store for her. Many brides choose to wear a piece of antique family jewelry or a piece of clothing handed down through the generations. In modern times this idea that the ‘something old’ has some connection to family is often forgotten in lieu of some old possession, often shoes or even underwear.

Something new

Just as the ‘something old’ was supposed to link her with her past, the ‘something new’ part of the poem was supposed to symbolise the new life she will have wedded to her new husband. One marketing technique bridal boutiques use when selling their customers wedding gowns is that the ‘something new’ should represent good fortune and success in the bride’s new life, and therefore should be the most expensive thing she’s wearing. Quite often though, aside from the wedding dress the ‘new’ item is the engagement ring, or her shoes.

Something borrowed

Getting ‘something borrowed’ in modern times is often misunderstood as simply ‘borrowing’ something from anyone, be it perfume or some earrings. Often brides accidentally get it right however by borrowing something from their mother or Matron of honour as traditionally the ‘borrowed’ item should be something borrowed from an already happily wedded wife so as to bring a little bit of the good luck she has had in her life into this new marriage. The borrowed item is also there to remind the bride that friends and family are there to support her.

Something blue

Having something blue in the Victorian era symbolised faithfulness, loyalty and purity. All the things the white wedding dress these days represents. The colour blue however relates to the colour of the Virgin Mary, the mother of Jesus in the Christian faith, thereby being the only tradition in the list directly related to organised religion, the rest being a secular tradition. That said however, the colour blue represents these things purely by the nature of its hue, just as red represents danger and gold, wealth.

And a silver sixpence in my shoe

An often forgotten part of the poem ‘Something old, something new, something borrowed, something blue, and a silver sixpence in my shoe’ is the last of the five traditions which was to place a silver sixpence in the bride’s shoe to ensure wealth in the future. Obviously we no longer use sixpences anywhere outside of the UK, and therefore have largely forgotten this part of the rhyme, but it was there and it may be something you brides out there might like to consider if you’re following the rhyme 🙂

In addition to the bride carrying Something old, something new, something borrowed, something blue and a sixpence in her shoe; nestled all over her body would be bunches of herbs to ward off bad spirits. This tradition has been almost completely replaced by the carrying of a bridal bouquet, which has it’s own sets of traditions associated with it.

How being a Landscape photographer helps me with wedding photography

As many of you may know, I was crowned as South Australian Professional Landscape Photographer of the year through the annual state-based AIPP awards in 2016. I also happened to win the national title of Science photographer of the year at the national awards. One might think that this is a bit of a disconnect with being a better wedding photographer, and may be asking why I’m not winning the title of ‘Wedding Photographer of the year’. But I’d argue that due to my professional-level prowess in these other genres of photography, I’m able to approach wedding photography in a unique, laid-back and genuine way. It’s like having an professional chef come in and cook you dinner, it’s not as if that chef would only be capable of cooking a single meal would they? So how does being a successful Landscape photographer help at all with being a better wedding photographer?

How being Landscape Photographer of the year helps with Wedding Photography

Having done both landscape and wedding work professionally for over 5 years now, I’d just like to point out the type of adaptability required to move from one work situation to another. In the landscape field, people appreciate a huge amount of technical ability, and the ability to create works of art from the mundane. This skill set is easily transferred over to wedding photography as my work is always of a high calibre technically and I love to incorporate an ‘epic vibe’ to much of my work.

Having worked in a variety of different situations I have the experience to quickly adapt to whatever is thrown at me in regards to scenery, lighting and weather. It’s through my ability as a landscape and scientific photographer that I can quite quickly and easily adapt to anything a wedding throws at me, while also drawing on my 5 years experience of shooting weddings. Neither skillset is mutually exclusive of one another and it’s one thing that I feel sets me apart from other photographers, that and my additional services I provide for free.

The general knowledge of photography needed to be successful in these fields also comes into play in a huge way. I am intimately familiar in how a camera works and frequently utilise home-made cameras to create some of my award winning work. While I’m no gear snob, and couldn’t care less how much your camera costs, I understand what equipment is needed to capture the shot the way I would like. It’s for this reason my work looks the way it does, it’s the root of my artistry. Say I want to use a sun flare or sunset happening behind my bride and groom, the same knowledge is used when thinking about shooting a landscape.

Being so successful in other genres of photography also allows me to see things in ways others don’t. I hate being a cookie cutter at my weddings, I cringe at how many photographers approach weddings by taking all the same shots at every single wedding they do. Of course there are some shots that just work and look amazing, but every single one? I think it’s important to personalise each wedding based on the personality of the bride and groom, and I shoot accordingly using my knowledge in all genres of photography.

Due to my work in a variety of different genres, I’ve also become quite proficient in photoshop. This would also be due to my several degrees in Multimedia and associated subjects, but it’s truly doing the work that gives me the practice. It’s a lot of fun too 🙂 The below photo may not be suited to every wedding, but I think it demonstrates the technical ability in photoshop I have garnered through my prowess in other genres of photography, and not just weddings.

For a bit of a taste of my Landscape work if you’re interested, I have a separate website built to showcase my work at